Monday, April 30, 2012
Friday, April 27, 2012
Daniel Radcliffe last day of filming kill your darlings
some pictures from the last day of kill your darlings
The official Facebook page for Killer Films, which is producing Daniel Radcliffe's Kill Your Darlings, announced today that principal photography at the New York set is now wrapped. There is word that the film may debut at the Sundance and Cannes Film Festivals in 2013.
A short new clip from the final days of filming on the set was released online, featuring Dan dressed as Allen Ginsberg about to shoot a scene.Killer Films
That's a wrap on principal photography of KILL YOUR DARLINGS! Thanks to a great cast and crew! #Partyatyourhouse
Friday, April 20, 2012
Great news friends The women in black coming in Blue Ray Dvd on May 22.yup now you can replay Dan again and again in the film when you find him handsome for Example
so if you want to re-play him.you can pre-order the DVD from the link below if you want.
The greater news is that for the promotion of the CD The Women In Black official facebook page updated with the message below
Daniel fans! Want to have Daniel answer your questions? Between now and April 24th, use your webcam, smartphone, bloggie or camcorder to tape yourself asking Daniel your most pressing questions about his experience working on The Woman in Black. Post to our Facebook video section and we’ll select some of our favorite questions to show to Daniel. Check back with us May 14th to see if Daniel answered your question!
Hurry up submit your answer
Sunday, April 15, 2012
Daniel Radcliffe is the highest-earning British actor
Daniel Radcliffe is the highest-earning British actor under the age of 30, according to The Sunday Times Rich List 2012.EVEN after the Harry Potter
Daniel Radcliffe is the highest-earning British actor under the age of 30, according to The Sunday Times Rich List 2012.
Saturday, April 14, 2012
Women in Black
SILVA SCREEN RECORDS PRESENTS
THE WOMAN IN BLACK
Original Soundtrack Composed by Marco Beltrami
THE WOMAN IN BLACK
Original Soundtrack Composed by Marco Beltrami
The Woman In Black is a theatrical phenomenon that has run continuously in London’s West End for twenty-three years and has subsequently become a worldwide hit. This chilling Victorian ghost story based on the bestseller by Susan Hill has been long awaited as a cinema release and stars Daniel Radcliffe (Harry Potter) and Ciaran Hinds (Tinker Tailor Soldier Spy)
Arthur Kipps (Daniel Radcliffe), a widowed lawyer whose grief has put his career in jeopardy, is sent to a remote village to sort out the affairs of a recently deceased eccentric. But upon his arrival, it soon becomes clear that everyone in the town is keeping a deadly secret. Although the townspeople try to keep Kipps from learning their tragic history, he soon discovers that the house belonging to his client is haunted by the ghost of a woman who is determined to find someone and something she lost… and no one, not even the children, are safe from her vengeance.
Upon completing undergraduate study at Brown University, Marco Beltrami entered the Yale School of Music. His pursuit of music composition then lead him to Venice for a period of study with the Italian master, Luigi Nono and then finally to Los Angeles to undertake a fellowship with Academy Award-winning composer, Jerry Goldsmith.
Shortly after arriving in Los Angeles, Marco landed Wes Craven’s Scream embarking on what would become the widely successful terror franchise. In his approach to scoring the film, he threw away conventional horror music clichés.
After Scream, Marco went on to write his critically acclaimed score for Guillermo del Toro’s Mimic, bringing him to the attention of the entire film music industry. This was the first of several collaborations with del Toro, including Hellboy and now Don’t Be Afraid of the Dark. Marco has been nominated twice for Academy Awards for Best Score. First, for 3:10 to Yuma, his score to 2010 groundbreaking Best Picture, The Hurt Locker, which he co-composed with Buck Sanders.
Tracklisting:
1. Tea For Three Plus One
2. The Woman In Black
3. Crossing The Causeway
4. Bills Past Due
5. Voices In The Mist
6. Journey North
7. Cellar Eye
8. First Death
9. The Attic Room
10. The Door Opens
11. Fireside
12. You Could Have Saved Him
13. Crazy Writing
14. In The Graveyard
15. Elisabeth’s Vision
16. Into The Fire
17. Jennet’s Letters
18. Race To The Marsh
19. Rising From The Mud
20. Summoning The Woman In Black
21. Reunion
22. Arthur’s Theme
2. The Woman In Black
3. Crossing The Causeway
4. Bills Past Due
5. Voices In The Mist
6. Journey North
7. Cellar Eye
8. First Death
9. The Attic Room
10. The Door Opens
11. Fireside
12. You Could Have Saved Him
13. Crazy Writing
14. In The Graveyard
15. Elisabeth’s Vision
16. Into The Fire
17. Jennet’s Letters
18. Race To The Marsh
19. Rising From The Mud
20. Summoning The Woman In Black
21. Reunion
22. Arthur’s Theme
SILCD1378
REL. DATE: February 6 Digitally, March 2012 CD
REL. DATE: February 6 Digitally, March 2012 CD
Daniel Radcliffe from the press stop in Toronto
Millions have watched Daniel Radcliffe grow up during eight instalments of Harry Potter, and, to see him now, in his first post-Potter production, is like running into a young person you last saw as a child. It’s jarring, leaving you simultaneously excited and wistful.The boy who lived has become a man — a man who plays a sombre, haunted father (with mini-mutton chops, no less) in The Woman in Black, a horror movie based on another one of Britain’s beloved books.
“I figured it would be hard for people, having seen me in a schoolboy outfit for 10 years, to suddenly buy me as a father,” the 22-year-old actor says during a press stop in Toronto last week. “So one of the things I was very keen on was, I said to James (Watkins, the director), ‘Would you audition my godson?’ There is just no substitute for a real relationship and real chemistry. That really helps in a film.”
Misha Handley did get the role of Radcliffe’s four-year-old son.
“Now I might have to have kids before I play a father again. I can’t just keep . . . Oh no, I have to acquire some new godchildren. That’s what I’ll have to do,” Radcliffe says with a chuckle.
There is less dissonance when meeting him in person. “I’m Dan,” he says after walking into a Toronto hotel room one recent afternoon, dressed in a black sweater, jeans and sneakers. He has elfin qualities: He is slim and stands about 5-foot-5. His face is expressive, his mouth grinning, his eyebrows furrowing and rising.
He’s been awake since 5 a.m., but he is genial and talkative.
“I don’t know if it’s short-man syndrome, but I’ve always had this (need) to prove I’m tough enough, somehow,” he says about his experience filming a scene where he’s flailing in a pit of mud.
He made his acting debut at age 10 and was cast in Harry Potter and the Sorcerer’s Stone when he was 11.
“I was under no illusions that I would do this film, and suddenly, everyone would go, ‘Oh, wow. It’s transformative.’ But it’s the beginning of that process. I think it’s a good first film to do after Potter. The story is fantastic,” he says. “If people are going in, looking for flashes of Harry, I don’t think they will be thinking that way after the first 10 minutes.”
He received the script a few days before wrapping up Harry Potter and the Deathly Hallows: Part 2, the final chapter of the franchise. His father, a successful literary agent, gave it to him to read while he was on a plane to New York, where he was presenting at the Tony Awards.
“It was a page-turner,” he says. “What I liked about it was that it was a horror film, but it was unusual for a horror film to be so character-driven, to have such deep and affecting themes — themes of loss and what happens when we fail to move on from the loss.”
In The Woman in Black, which is adapted from Susan Hill’s 1983 book, Radcliffe plays Arthur Kipps, a young lawyer who is grieving the death of his wife. Kipps travels to a remote English village to sort out a recently deceased woman’s affairs, where he discovers that a vengeful ghost is terrorizing the locals, preying upon their children.
“I have a naturally excitable kind of nature, and quite hyperactive, as you may have picked up on. Arthur is someone who is stricken by grief and in a state of emotional paralysis.”
He pauses and turns to a publicity associate in the room. “How many times have you heard me say that phrase today?”
He continues: “I spoke to a couple of friends of mine who suffered from depression. One of the things one of them said was how physically exhausted you are all the time. As soon as you see him, he’s physically and mentally depleted. He’s not an active member of his own life.”
The Woman in Black was filming in the period between Harry Potter and Radcliffe’s appearance in the Tony-nominated Broadway musical, How To Succeed in Business Without Really Trying, so the timing was right. Plus, Radcliffe was eager to be busy.
“We like tearing down our own in England. If you look at what happened to Ken Branagh in the 1990s, all of the newspapers built him up, the new Olivier, and then destroyed him and his personal life. Not that I have been treated that badly, but I think a lot of people would like to write that story.”
Radcliffe is set to shoot Kill Your Darlings, a murder mystery about three Beat Generation writers: Allen Ginsberg, Jack Kerouac and William Burroughs. Radcliffe plays Ginsberg.
“There is an awareness that we all have, that we have a few years to get it right and show people what we’re capable of,” he says. “I think (it would be) wonderful if we can look back in 40 years’ time and say, ‘Wow, seven or eight great actors came out of that series.’ That will also be the best way of honouring the series.”
He pauses and turns to a publicity associate in the room. “How many times have you heard me say that phrase today?”
He continues: “I spoke to a couple of friends of mine who suffered from depression. One of the things one of them said was how physically exhausted you are all the time. As soon as you see him, he’s physically and mentally depleted. He’s not an active member of his own life.”
The Woman in Black was filming in the period between Harry Potter and Radcliffe’s appearance in the Tony-nominated Broadway musical, How To Succeed in Business Without Really Trying, so the timing was right. Plus, Radcliffe was eager to be busy.
“We like tearing down our own in England. If you look at what happened to Ken Branagh in the 1990s, all of the newspapers built him up, the new Olivier, and then destroyed him and his personal life. Not that I have been treated that badly, but I think a lot of people would like to write that story.”
Radcliffe is set to shoot Kill Your Darlings, a murder mystery about three Beat Generation writers: Allen Ginsberg, Jack Kerouac and William Burroughs. Radcliffe plays Ginsberg.
“There is an awareness that we all have, that we have a few years to get it right and show people what we’re capable of,” he says. “I think (it would be) wonderful if we can look back in 40 years’ time and say, ‘Wow, seven or eight great actors came out of that series.’ That will also be the best way of honouring the series.”
Friday, April 6, 2012
Daniel Radcliffe chat with People Magazine about the upcoming fim Kill you Darlings
The 16th April issue of People Magazine has the first official promotional shot of Dan playing Allen Ginsberg in Kill Your Darlings, along with a small interview,
On set with Daniel Radcliffe Fresh off the hit thriller The Woman in Black, Radcliffe, 22, is taking on a counterculture icon: he’s playing beat poet Allen Ginsberg in Kill Your Darlings, now filming in New York City. The film explores the relationship between young literary stars-to-be Ginsberg, Jack Kerouac and William S. Burroughs and the circumstances surrounding the 1944 murder of an associate.
Are you a Ginsberg fan?
Daniel Radcliffe: The more I learned, the more I liked him. There’s unbelievable sweetness and compassion between him and Burroughs and Kerouac. His work was like an explosion.
Are you a poet yourself?
Daniel Radcliffe: I write sonnets, couplets and things like that. The poetry I write is pretty structured and rhyming, but I’d like to think it’s honest and interesting.
Ginsberg did a lot of LSD. Were you tempted?
Daniel Radcliffe: LSD would not do well for me. I’ve talked to a lot of people who’ve done a lot of LSD – and I know I would have a terrible time. I’m not tempted.
Daniel Radcliffe: There was no discomfort. There have been moments when Dane [DeHaan], the object of my affection in the film, and I did start giggling.
How will Harry Potter fans react to this movie?Daniel Radcliffe: Well, they were comfortable with Equus, and that had me simulating sex on the back of a horse, so this is a walk in the park.
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